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After a stunning performance of Tchaikovsky's Symphony No.4, the Alexander Orchestra conducted by Lawrence Renes received a standing ovation. The audience was rewarded with an encor
Saturday, 30 January 2010

...m Byrd mass and a copy of the first edition of Musica Fever and some items of the extensive Australian Youth Orchestra’s archives. After having feasted on the many wonders of both the National ...
Saturday, 16 January 2010

3. Composers in Time
(About WAM/Writings)
...came the foundation for a five to eight minute work for untuned percussion and any combination of a 14-piece orchestral ensemble. Their compositions were written for performance by ensembles (made up ...
Saturday, 16 January 2010

4. Richard STRAUSS (1864-1949)
(About WAM/Concert Program Notes)
...n Juan’s lovers. Halfway into the piece another Don Juan theme is introduced by horns soaring over the orchestra, representing not only Don Juan’s masculine impetuousness but also his hero...
Saturday, 16 January 2010

5. Digital Rhythm Clock
(About WAM/Writings)
...edřich SMETANA – The Moldau 7.     Béla BARTÓK – Concerto for Orchestra, 2nd movement, ‘Guoco della coppie’ 8.     Pyotr Il&#...
Saturday, 16 January 2010

6. Ralph VAUGHAN WILLIAMS (1872-1958)
(About WAM/Concert Program Notes)
...ely noticeable in the opening chords. Also unusual is Vaughan Williams’ splitting of the normal string orchestra into three groups – you will notice some of the players form a secondary or...
Saturday, 16 January 2010

7. Béla BARTÓK (1881-1945)
(About WAM/Concert Program Notes)
Concerto for Orchestra, BB.123 [1943] I    Introduzione II   Giuoco delle coppie III   Elegia IV  Intermezzo interrotto V  Finale Concerto for O
Saturday, 16 January 2010

8. Philip Arkinstall: Alumni Profile
(About WAM/Writings)
...een when I first came to camp, in the early 1990s. It was in Sydney, at Kings School. I was in the Alexander orchestra. I remember it was really hot and we went to the pool every afternoon. But the en...
Saturday, 16 January 2010

9. Kate Salvatore: Alumni Profile
(About WAM/Writings)
... Arkinstall was playing principal clarinet. It was the first time I had played [clarinet] in a full symphony orchestra. I went with my friend Louise McCarthy on viola, we were both from country Victor...
Saturday, 16 January 2010

10. Janis Laurs: Alumni Profile
(About WAM/Writings)
...r (First National Music Camp 1963)   Cello tutor (First National Music Camp 1963)   Why are youth orchestras important? The young students remind you of passion and enthusiasm, where someti...
Saturday, 16 January 2010

11. Genevieve Lang: Alumni Profile
(About WAM/Writings)
... Camp [as a harpist] three years consecutively, from 1993-95. In 1994, in Geelong, I was in two of the three orchestras. I learnt to be self-sufficient, an independent unit.  It’s what I en...
Saturday, 16 January 2010

12. W. F. BACH (1710-1784)
(About WAM/Concert Program Notes)
...ompositions belongs in the realm of the improviser’s art; a palpable sense of the unexpected. No other orchestral composer before Haydn so consistently toys with our sense of musical expectation...
Saturday, 16 January 2010

13. Elliott GYGER (born 1968)
(About WAM/Concert Program Notes)
Deep and dissolving verticals of light: nocturnal concerto for orchestra [1994]   Deep and dissolving verticals of light: nocturnal concerto for orchestra [1994] Deep and dissolving verticals of
Saturday, 16 January 2010

14. Anton WEBERN (1883-1945)
(About WAM/Concert Program Notes)
...This leaning towards pre-set compositional structures is evident from Webern’s Opus 1, Passacaglia for Orchestra. The work takes its title and form from the Baroque musical structure, in which a...
Saturday, 16 January 2010

15. Henry PURCELL (1659-1695)
(About WAM/Concert Program Notes)
...in the occasional amusing disagreement between parts. Because of this, the musicians of the Tuckwell Chamber Orchestra have each rehearsed from a full score of the work, ensuring they are aware of the...
Saturday, 16 January 2010

Inside Bartok’s Concerto for Orchestra ABC Classic-FM, 8:55pm, 16 January 2010 WAM2010_radiofeature_wk2 Saturday night’s recital concludes with a performance of Bartok’s modern maste
Saturday, 16 January 2010

17. Orchestral Concert Week 2
(Gallery/Photo Gallery)
gallery10
Wednesday, 13 January 2010

18. Orchestral Concert Week 1
(Gallery/Photo Gallery)
gallery8
Tuesday, 12 January 2010

...lin tutor Lachlan Bramble; conductor Lutz Koehler; Musical Director Tim White, and the Australian Youth Orchestra’s CEO Colin Cornish. This feature was produced by Anne-Marie Mou...
Tuesday, 12 January 2010

... horn (one of the most famous solos for the instrument) which compelled one to consider the impact a lack of orchestral “padding” can have on the way these lines are performed. From here ...
Monday, 11 January 2010

... deconstruction of all four movements of the symphony, with occasional vignettes highlighting members of the orchestra. © Hugh Davidson ...
Sunday, 10 January 2010

22. A Gripping Death
(Snippets/Snippets)
... as to claim that she clung to his body the whole time. At this year’s National Music Camp, the Bishop Orchestra will be performing the ‘Prelude and Liebestod (Love Death)’ from Wagn...
Thursday, 07 January 2010

23. The Power of Rhythm
(News/Latest)
...at this year’s National Music Camp [NMC]. As principal percussionist with the West Australian Symphony Orchestra, Tim has naturally chosen rhythm as the theme of this year’s camp: “A...
Thursday, 07 January 2010

24. An orchestral appetiser
(Gallery/Video Gallery)
Individual parts lie open on music stands, pencils are sharpened, the orchestra is tuned and the musicians quietly await their conductor to lead them to the music – it’s time for another r
Thursday, 07 January 2010

25. Bedrich SMETANA (1824-1884)
(About WAM/Concert Program Notes)
...e as conductor of the Royal Provincial Czech Theatre, where his output was consequently operatic rather than orchestral. It was while writing his fourth opera, Libuše (1869-72), inspired by nat...
Thursday, 07 January 2010

26. Josef SUK (1874-1935)
(About WAM/Concert Program Notes)
...rings ranks with those of Dvořák and Tchaikovsky among the finest examples of writing for string orchestra.  Seventy-five years after Suk’s death, it is time to acknowledge Suk&...
Thursday, 07 January 2010

27. John ADAMS (born 1947)
(About WAM/Concert Program Notes)
The Chairman Dances: Foxtrot for Orchestra [1985] The Chairman Dances: Foxtrot for Orchestra [1985] Composers love commissions, but the sign of a successful composer is having more commissions than
Thursday, 07 January 2010

28. Sergey PROKOFIEV (1891-1953)
(About WAM/Concert Program Notes)
...e palpable mutual loathing of The Montagues and the Capulets, the exuberance of The Young Juliet (a spritely orchestral vivace), the comic introspections of Friar Laurence (played aptly by the bassoon...
Thursday, 07 January 2010

...tegy for this year’s game. Initial training sessions occurred at the Australian International Symphony Orchestra Institute (AISOI) in late November. Here at NMC, the students have undergone an i...
Wednesday, 06 January 2010

30. Interpreting Words
(News/Latest)
...ms. Copland set this poem in 1949 but christened his work The Chariot, and scored it for soprano and chamber orchestra. The iambic accompaniment evokes Death’s carriage, steadily cantering &lsqu...
Monday, 04 January 2010

31. Ronald Gaynor: An Orchestral Personality
(About WAM/2010 Participants)
...n independent (and essential) line in the music, and one that is inevitably noticed when it emerges from the orchestral texture. “It’s not often in the spotlight, but what it has to say ca...
Sunday, 03 January 2010

32. 16 Jan 8pm
(News/Concerts Promo)
National Music Camp Orchestras    Saturday 16 January 2010 8:00 – 10:00pm (direct FM broadcast) Llewellyn Hall, Australian National University Chamber Orchestra -
Sunday, 28 December 2008

33. Saturday 9 January, 4:30pm
(News/Concerts)
  Saturday 9 January 2010 4.30 – 6.00pm (delayed FM broadcast)   Chamber Orchestra - Howard Penny EDWARDS - Veni Creator Spiritus Bishop Orchestra - Lutz Koehler SMETAN
Sunday, 28 December 2008

34. Saturday 9 January, 8pm
(News/Concerts)
  Saturday 9 January 2010 8:00 – 10.00pm (direct ABC-Classic-FM broadcast) Chamber Orchestra – Howard Penny SUK - Serenade for Strings, Op.6 Alexander Orchestra - Lawrence
Sunday, 28 December 2008

35. Saturday 16 January, 4:30pm
(News/Concerts)
  Saturday 16 January 2010 4.30 – 6.00pm (delayed FM broadcast)   Chamber Orchestra - Howard Penny PURCELL - The Double Dealer, Z592 VAUGHAN WILLIAMS - Fantasia on a theme of Thom
Sunday, 28 December 2008

36. 9 Jan 4:30pm
(News/Concerts Promo)
National Music Camp Orchestras  Saturday 9 January 2010 4.30 – 6.00pm (delayed FM broadcast) Llewellyn Hall, Australian National University   Chamber Orchestra - Howard Pen
Sunday, 28 December 2008

37. 16 Jan 4:30pm
(News/Concerts Promo)
National Music Camp Orchestras Saturday 16 January 2010 4.30 – 6.00pm (delayed FM broadcast) Llewellyn Hall, Australian National University     Chamber Orchestra - Howard P
Sunday, 28 December 2008

38. 9 Jan 8pm
(News/Concerts Promo)
National Music Camp Orchestras   Saturday 9 January 2010 8:00 – 10:00pm (direct FM broadcast) Llewellyn Hall, Australian National University Chamber Orchestra – H
Sunday, 28 December 2008

39. Saturday 16 January, 8pm
(News/Concerts)
  Saturday 16 January 2010 8:00 – 10:00pm (direct FM broadcast)   Chamber Orchestra - Howard Penny  WF BACH - Sinfonia in F major ‘Dissonant’ Bishop Orc
Sunday, 28 December 2008

Each summer, for over 60 years, the Australian Youth Orchestra’s National Music Camp has brought together the world’s most inspiring conductors and tutors with the country’s finest
Friday, 26 December 2008

Each summer, for over 60 years, the Australian Youth Orchestra’s National Music Camp has brought together the world’s most inspiring conductors and tutors with the country’s finest
Friday, 26 December 2008

Each summer, for over 60 years, the Australian Youth Orchestra’s National Music Camp has brought together the world’s most inspiring conductors and tutors with the country’s finest
Friday, 26 December 2008

43. Birth of the AYO
(Snippets/Snippets)
The first public appearance of the Australian Youth Orchestra was at 3.15pm precisely, on Wednesday 6th March 1957 in the "Great Restaurant" of the cafeteria of David Jones department stor
Thursday, 11 January 2007

44. Camp founders
(Snippets/Snippets)
The Bishop and Alexander Symphony Orchestras are named after the founders of National Music Camp: John Bishop and Ruth Alexander.         The Bishop and Alexander Symphony Or
Wednesday, 03 January 2007

National Music Camp is an activity of Australian Youth Orchestra. National Music Camp 2010 takes place in Canberra, Australian Capital Territory. For directions to Llewellyn Hall, School of Musi
Saturday, 26 December 2009

46. Radio Features
(Static Content)
...ds About Music participants produce two radio features, which are broadcast in conjunction with the Saturday orchestral concerts.   This year's features will be broadcast on the evening...
Friday, 16 January 2009

47. National Music Camp Crossword
(Archived/News/Latest)
Missing camp already? Why not have a go at this crossword!
Saturday, 17 January 2009

48. Campers' Musical Memories
(Archived/News/Latest)
2009 Campers reminisce about their most formative musical experiences...  
Saturday, 17 January 2009

49. Dining Hall Etiquette
(Archived/News/Latest)
There is no doubt: the dining hall experience is quintessential college living.  Few other situations boast the opportunity to dine with 300 of your closest friends, or test endurance and stamina
Saturday, 17 January 2009

50. Claude DEBUSSY (1862-1918)
(Archived/About WAM/Concert Program Notes)
Danse sacrée et danse profane [1904] There are all manner of situations under which a composer will write a piece of music. Debussy’s Danse sacrée et danse profane was commission
Thursday, 15 January 2009

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