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orchestra
Total 91 results found. Search for [
orchestra
] with
Results 1 - 50 of 91
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1.
Alexander Orchestra encore - Tchaikovsky Symphony No.4
(Gallery/Video Gallery)
After a stunning performance of Tchaikovsky's Symphony No.4, the Alexander
Orchestra
conducted by Lawrence Renes received a standing ovation. The audience was rewarded with an encor
Saturday, 30 January 2010
2.
Like children in a lolly shop: WAM participants visit the National Library
(News/Latest)
...m Byrd mass and a copy of the first edition of Musica Fever and some items of the extensive Australian Youth
Orchestra
’s archives. After having feasted on the many wonders of both the National ...
Saturday, 16 January 2010
3.
Composers in Time
(About WAM/Writings)
...came the foundation for a five to eight minute work for untuned percussion and any combination of a 14-piece
orchestra
l ensemble. Their compositions were written for performance by ensembles (made up ...
Saturday, 16 January 2010
4.
Richard STRAUSS (1864-1949)
(About WAM/Concert Program Notes)
...n Juan’s lovers. Halfway into the piece another Don Juan theme is introduced by horns soaring over the
orchestra
, representing not only Don Juan’s masculine impetuousness but also his hero...
Saturday, 16 January 2010
5.
Digital Rhythm Clock
(About WAM/Writings)
...edřich SMETANA – The Moldau 7. Béla BARTÓK – Concerto for
Orchestra
, 2nd movement, ‘Guoco della coppie’ 8. Pyotr Il...
Saturday, 16 January 2010
6.
Ralph VAUGHAN WILLIAMS (1872-1958)
(About WAM/Concert Program Notes)
...ely noticeable in the opening chords. Also unusual is Vaughan Williams’ splitting of the normal string
orchestra
into three groups – you will notice some of the players form a secondary or...
Saturday, 16 January 2010
7.
Béla BARTÓK (1881-1945)
(About WAM/Concert Program Notes)
Concerto for
Orchestra
, BB.123 [1943] I Introduzione II Giuoco delle coppie III Elegia IV Intermezzo interrotto V Finale Concerto for O
Saturday, 16 January 2010
8.
Philip Arkinstall: Alumni Profile
(About WAM/Writings)
...een when I first came to camp, in the early 1990s. It was in Sydney, at Kings School. I was in the Alexander
orchestra
. I remember it was really hot and we went to the pool every afternoon. But the en...
Saturday, 16 January 2010
9.
Kate Salvatore: Alumni Profile
(About WAM/Writings)
... Arkinstall was playing principal clarinet. It was the first time I had played [clarinet] in a full symphony
orchestra
. I went with my friend Louise McCarthy on viola, we were both from country Victor...
Saturday, 16 January 2010
10.
Janis Laurs: Alumni Profile
(About WAM/Writings)
...r (First National Music Camp 1963) Cello tutor (First National Music Camp 1963) Why are youth
orchestra
s important? The young students remind you of passion and enthusiasm, where someti...
Saturday, 16 January 2010
11.
Genevieve Lang: Alumni Profile
(About WAM/Writings)
... Camp [as a harpist] three years consecutively, from 1993-95. In 1994, in Geelong, I was in two of the three
orchestra
s. I learnt to be self-sufficient, an independent unit. It’s what I en...
Saturday, 16 January 2010
12.
W. F. BACH (1710-1784)
(About WAM/Concert Program Notes)
...ompositions belongs in the realm of the improviser’s art; a palpable sense of the unexpected. No other
orchestra
l composer before Haydn so consistently toys with our sense of musical expectation...
Saturday, 16 January 2010
13.
Elliott GYGER (born 1968)
(About WAM/Concert Program Notes)
Deep and dissolving verticals of light: nocturnal concerto for
orchestra
[1994] Deep and dissolving verticals of light: nocturnal concerto for
orchestra
[1994] Deep and dissolving verticals of
Saturday, 16 January 2010
14.
Anton WEBERN (1883-1945)
(About WAM/Concert Program Notes)
...This leaning towards pre-set compositional structures is evident from Webern’s Opus 1, Passacaglia for
Orchestra
. The work takes its title and form from the Baroque musical structure, in which a...
Saturday, 16 January 2010
15.
Henry PURCELL (1659-1695)
(About WAM/Concert Program Notes)
...in the occasional amusing disagreement between parts. Because of this, the musicians of the Tuckwell Chamber
Orchestra
have each rehearsed from a full score of the work, ensuring they are aware of the...
Saturday, 16 January 2010
16.
Radio Feature: Inside Bartok’s Concerto for Orchestra
(Gallery/Audio)
Inside Bartok’s Concerto for
Orchestra
ABC Classic-FM, 8:55pm, 16 January 2010 WAM2010_radiofeature_wk2 Saturday night’s recital concludes with a performance of Bartok’s modern maste
Saturday, 16 January 2010
17.
Orchestral Concert Week 2
(Gallery/Photo Gallery)
gallery10
Wednesday, 13 January 2010
18.
Orchestral Concert Week 1
(Gallery/Photo Gallery)
gallery8
Tuesday, 12 January 2010
19.
Radio Feature: Who Comes to Camp?
(Gallery/Audio)
...lin tutor Lachlan Bramble; conductor Lutz Koehler; Musical Director Tim White, and the Australian Youth
Orchestra
’s CEO Colin Cornish. This feature was produced by Anne-Marie Mou...
Tuesday, 12 January 2010
20.
Banquet in six courses: a report on the first Staff Concert
(News/Latest)
... horn (one of the most famous solos for the instrument) which compelled one to consider the impact a lack of
orchestra
l “padding” can have on the way these lines are performed. From here ...
Monday, 11 January 2010
21.
A Night Not To Be Missed... Or Else
(News/Latest)
... deconstruction of all four movements of the symphony, with occasional vignettes highlighting members of the
orchestra
. © Hugh Davidson ...
Sunday, 10 January 2010
22.
A Gripping Death
(Snippets/Snippets)
... as to claim that she clung to his body the whole time. At this year’s National Music Camp, the Bishop
Orchestra
will be performing the ‘Prelude and Liebestod (Love Death)’ from Wagn...
Thursday, 07 January 2010
23.
The Power of Rhythm
(News/Latest)
...at this year’s National Music Camp [NMC]. As principal percussionist with the West Australian Symphony
Orchestra
, Tim has naturally chosen rhythm as the theme of this year’s camp: “A...
Thursday, 07 January 2010
24.
An orchestral appetiser
(Gallery/Video Gallery)
Individual parts lie open on music stands, pencils are sharpened, the
orchestra
is tuned and the musicians quietly await their conductor to lead them to the music – it’s time for another r
Thursday, 07 January 2010
25.
Bedrich SMETANA (1824-1884)
(About WAM/Concert Program Notes)
...e as conductor of the Royal Provincial Czech Theatre, where his output was consequently operatic rather than
orchestra
l. It was while writing his fourth opera, Libuše (1869-72), inspired by nat...
Thursday, 07 January 2010
26.
Josef SUK (1874-1935)
(About WAM/Concert Program Notes)
...rings ranks with those of Dvořák and Tchaikovsky among the finest examples of writing for string
orchestra
. Seventy-five years after Suk’s death, it is time to acknowledge Suk&...
Thursday, 07 January 2010
27.
John ADAMS (born 1947)
(About WAM/Concert Program Notes)
The Chairman Dances: Foxtrot for
Orchestra
[1985] The Chairman Dances: Foxtrot for
Orchestra
[1985] Composers love commissions, but the sign of a successful composer is having more commissions than
Thursday, 07 January 2010
28.
Sergey PROKOFIEV (1891-1953)
(About WAM/Concert Program Notes)
...e palpable mutual loathing of The Montagues and the Capulets, the exuberance of The Young Juliet (a spritely
orchestra
l vivace), the comic introspections of Friar Laurence (played aptly by the bassoon...
Thursday, 07 January 2010
29.
“We’re ready for you”: student cricket captain Pauperis
(News/Latest)
...tegy for this year’s game. Initial training sessions occurred at the Australian International Symphony
Orchestra
Institute (AISOI) in late November. Here at NMC, the students have undergone an i...
Wednesday, 06 January 2010
30.
Interpreting Words
(News/Latest)
...ms. Copland set this poem in 1949 but christened his work The Chariot, and scored it for soprano and chamber
orchestra
. The iambic accompaniment evokes Death’s carriage, steadily cantering &lsqu...
Monday, 04 January 2010
31.
Ronald Gaynor: An Orchestral Personality
(About WAM/2010 Participants)
...n independent (and essential) line in the music, and one that is inevitably noticed when it emerges from the
orchestra
l texture. “It’s not often in the spotlight, but what it has to say ca...
Sunday, 03 January 2010
32.
16 Jan 8pm
(News/Concerts Promo)
National Music Camp
Orchestra
s Saturday 16 January 2010 8:00 – 10:00pm (direct FM broadcast) Llewellyn Hall, Australian National University Chamber
Orchestra
-
Sunday, 28 December 2008
33.
Saturday 9 January, 4:30pm
(News/Concerts)
Saturday 9 January 2010 4.30 – 6.00pm (delayed FM broadcast) Chamber
Orchestra
- Howard Penny EDWARDS - Veni Creator Spiritus Bishop
Orchestra
- Lutz Koehler SMETAN
Sunday, 28 December 2008
34.
Saturday 9 January, 8pm
(News/Concerts)
Saturday 9 January 2010 8:00 – 10.00pm (direct ABC-Classic-FM broadcast) Chamber
Orchestra
– Howard Penny SUK - Serenade for Strings, Op.6 Alexander
Orchestra
- Lawrence
Sunday, 28 December 2008
35.
Saturday 16 January, 4:30pm
(News/Concerts)
Saturday 16 January 2010 4.30 – 6.00pm (delayed FM broadcast) Chamber
Orchestra
- Howard Penny PURCELL - The Double Dealer, Z592 VAUGHAN WILLIAMS - Fantasia on a theme of Thom
Sunday, 28 December 2008
36.
9 Jan 4:30pm
(News/Concerts Promo)
National Music Camp
Orchestra
s Saturday 9 January 2010 4.30 – 6.00pm (delayed FM broadcast) Llewellyn Hall, Australian National University Chamber
Orchestra
- Howard Pen
Sunday, 28 December 2008
37.
16 Jan 4:30pm
(News/Concerts Promo)
National Music Camp
Orchestra
s Saturday 16 January 2010 4.30 – 6.00pm (delayed FM broadcast) Llewellyn Hall, Australian National University Chamber
Orchestra
- Howard P
Sunday, 28 December 2008
38.
9 Jan 8pm
(News/Concerts Promo)
National Music Camp
Orchestra
s Saturday 9 January 2010 8:00 – 10:00pm (direct FM broadcast) Llewellyn Hall, Australian National University Chamber
Orchestra
– H
Sunday, 28 December 2008
39.
Saturday 16 January, 8pm
(News/Concerts)
Saturday 16 January 2010 8:00 – 10:00pm (direct FM broadcast) Chamber
Orchestra
- Howard Penny WF BACH - Sinfonia in F major ‘Dissonant’ Bishop Orc
Sunday, 28 December 2008
40.
Welcome to National Music Camp 2010!
(Home/Home)
Each summer, for over 60 years, the Australian Youth
Orchestra
’s National Music Camp has brought together the world’s most inspiring conductors and tutors with the country’s finest
Friday, 26 December 2008
41.
Welcome to National Music Camp 2010!
(Home/Home)
Each summer, for over 60 years, the Australian Youth
Orchestra
’s National Music Camp has brought together the world’s most inspiring conductors and tutors with the country’s finest
Friday, 26 December 2008
42.
Welcome to National Music Camp 2010!
(Home/Home)
Each summer, for over 60 years, the Australian Youth
Orchestra
’s National Music Camp has brought together the world’s most inspiring conductors and tutors with the country’s finest
Friday, 26 December 2008
43.
Birth of the AYO
(Snippets/Snippets)
The first public appearance of the Australian Youth
Orchestra
was at 3.15pm precisely, on Wednesday 6th March 1957 in the "Great Restaurant" of the cafeteria of David Jones department stor
Thursday, 11 January 2007
44.
Camp founders
(Snippets/Snippets)
The Bishop and Alexander Symphony
Orchestra
s are named after the founders of National Music Camp: John Bishop and Ruth Alexander. The Bishop and Alexander Symphony Or
Wednesday, 03 January 2007
45.
Contact AYO & visiting National Music Camp
(Static Content)
National Music Camp is an activity of Australian Youth
Orchestra
. National Music Camp 2010 takes place in Canberra, Australian Capital Territory. For directions to Llewellyn Hall, School of Musi
Saturday, 26 December 2009
46.
Radio Features
(Static Content)
...ds About Music participants produce two radio features, which are broadcast in conjunction with the Saturday
orchestra
l concerts. This year's features will be broadcast on the evening...
Friday, 16 January 2009
47.
National Music Camp Crossword
(Archived/News/Latest)
Missing camp already? Why not have a go at this crossword!
Saturday, 17 January 2009
48.
Campers' Musical Memories
(Archived/News/Latest)
2009 Campers reminisce about their most formative musical experiences...
Saturday, 17 January 2009
49.
Dining Hall Etiquette
(Archived/News/Latest)
There is no doubt: the dining hall experience is quintessential college living. Few other situations boast the opportunity to dine with 300 of your closest friends, or test endurance and stamina
Saturday, 17 January 2009
50.
Claude DEBUSSY (1862-1918)
(Archived/About WAM/Concert Program Notes)
Danse sacrée et danse profane [1904] There are all manner of situations under which a composer will write a piece of music. Debussy’s Danse sacrée et danse profane was commission
Thursday, 15 January 2009
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